"I love my angels." You don't hear that too often from my lips. The progress I have made since August and my first Suzi Blu class has been remarkable. My family, including my most critical daughter, Kari, can't believe. Once again, I am sharing my progression from Suzi Blu's online classes. This time it is her Angel Online class. I am hoping that this will inspire others to try. From my scanty initial block sketches to my sketch book and then on to wood. It has been a satisfying journey.
At home I made a copy of the black and white drawing in the book that I had been looking at on Suzi's lawn. I had chosen one of the vignettes from my sketch. Here is the entire page. If you look closely, you can see exactly where I got my drawing. Remember, I am don't selling theses. They are for my own personal pleasure or pain - as the case my be. . .
Theses three drawings were all done in two days. There are no other drawings. One of the books Suzi looked so familiar to me and so did the art work. She let me take it home with me and there I realized I had purchased years ago this artist's colored calendar. I then went and purchased the book for myself.
A couple of weeks later I went once again to Suzi's with my sketch now on a large 12 x 16 wood canvas and I burnt my first image on wood. You have to go very slow when burning. I feel I only made one major mistake while burning. Suzi reassured me that this can be easily fixed when I start painting. (The mistake was done when burning her cheek).
When going through all my magazine pages I had ripped out over the years, I found this page. One night I decided to try to draw this. Here is the results.
Magazine page
My sketch of the magazine page
The Angel isn't complete, but there are layer upon layer of Prisma colored pencil on her face. I love her face (again something you don't hear me say very often). After the holidays I will paint her. I am really scared to add the paint. My comfort level is at sketching on a pad and my Prisma Colored Pencils. Golden paints will become my friend again, I'm sure. It's just that I get too married to what I have done and am terrified of ruining it, not realizing yet that I can always do it all over again.
Suzi and my dearest art friend Georgia, will be horrified with this declaration. From the beginning they both have tried to drill into me that there are no mistakes in art - just happy accident. I'm not quite there yet, friends.